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To Guthrie Lonergan, however, Web junk is the basis of his most popular online art. “I’m sort of interested in that boringness,” he says.
“Internet Group Shot” is one example. The collage, cobbled from dozens of group portraits, shows how people adopt the same huddle when they’re saying “cheese.” For “MySpace Intro Playlist,” Mr. Lonergan looked for the self-made videos that young people post to their personal pages, then strung them together to show how teenagers tend to act similarly and say the same things when they’re introducing themselves.
“There are defaults in our culture,” Mr. Lonergan adds. “MySpace doesn’t set up something for you to create an introduction video, but kind of like a telephone answering machine, you assume a certain kind of voice and say certain things.”
The 23-year-old, who lives in L.A., is one of many artists mining Internet culture for creative inspiration. They make videos out of email spam and multimedia projects from MySpace profiles, and make a case for Web surfing as an art form in itself.
]]>Scribd, which allows anyone to upload documents much like YouTube lets users post videos online, has grown quickly since its September 2006 debut. Users have added more than 350,000 documents in various languages, ranging from instructions for solving a Rubik’s Cube to the sheet music from Johann Sebastian Bach’s “Ave Maria.” Groups dedicated to sharing everything from Federal Communications Commission reports to Japanese comic books have sprung up.
But rivaling Scribd’s growing collection of schoolwork, public documents and other miscellanea is a significant amount of adult content, which the start-up has taken pains to downplay while it decides whether the explicit material will stay or go. As other Internet destinations that rely on user-generated content have learned — from photo-sharing sites like Flickr to video sites like YouTube and Veoh — keeping the site “clean” while not alienating users is a central challenge.
]]>MoMA solicited videos to be included in a retrospective of the Residents, an avant-garde multimedia group, that will open next week. The museum has posted the clips of 11 finalists on YouTube and invited the public to weigh in. The votes and comments those works receive on the site will help determine which are screened at the museum.
It is among the latest moves by museums to capitalize on the popularity of online communities and remain relevant to the new generation of art fans. London’s Saatchi Gallery is sponsoring what it calls “the first reader-curated contemporary art show” later this month, in which online voters picked the participants. In New York, the Smithsonian Institution’s Cooper-Hewitt National Design Museum has this year expanded the prestigious awards it bestows on artists, adding a “people’s design award” based on votes from visitors to the museum’s Web site.
Meanwhile, the New York’s Pace/MacGill Gallery staged a summer show based on the photo-sharing site Flickr. Pace/MacGill’s project, called “Self-Portraitr,” included nearly 130,000 user-submitted photos, and drew a younger-than-usual audience — one of the goals of the exhibit, a gallery spokeswoman said.
]]>Father Gray, a 35-year-old Episcopal priest at Boston’s Church of the Advent, was sold on MySpace by a congregant whose rock band had used the site to attract listeners. While most MySpace users create pages to promote themselves or a band, he posted a profile for his parish. It includes reminders for Sunday services, audio files of its choir and announcements for “Theology on Tap” gatherings at a local bar.
“It’s a way for us to say, ‘Hey, come and see,’” said Father Gray, who created the MySpace profile in January. “It gets our name out there. It puts us on the mental map, the emotional map.” (The church also has a more traditional Web site.)
In a bid to attract new members and shed their persistently Luddite image, churches across the country are embracing technology and Web sites like MySpace. Blogs and podcasts have become part of religious leaders’ communications with congregants, and photo-sharing sites like Flickr are increasingly used to depict a fun-loving, casually-dressed community of churchgoers.
Churches with an evangelical bent often lead the way when it comes to harnessing technology, though some traditional congregations are also experimenting — even the Vatican has podcasts. Still, some Christians are concerned about using unmoderated social-networking sites that may contain adult language and racy photos.
“There’s always going to be some dangers,” Father Gray said of sites like MySpace and Flickr. But that doesn’t mean churches should avoid them, he said. His church is considering establishing a presence on another social-networking site, Facebook, that is limited largely to college students.
Attracting young people, as well as staying relevant, are two of the most common reasons churches are trying these sites, said Brad Abare, who posts tips and interviews on the blog Church Marketing Sucks. The tough-love name reflects the blunt discussion he thinks many religious organizations need to have, he said. “We have the greatest story ever told, and nobody’s listening,” he said.
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